I’m Senior Lecturer in English Literature & Cultural History at Liverpool John Moores University, and I specialise in histories of women, gender, and feminism in Britain from the Victorian period to the present day, as well as in neo-victorianism, and contemporary women’s writing. I’m the author of The Widow: A Literary & Cultural History (LUP, 2017). I’m an AHRC/ BBC New Generation Thinker and have made broadcasts about my research on widows in Britain for BBC Radio’3 Free Thinking and The Essay. As part of the scheme, I recently made my first short documentary film – Women & Weeds – for BBC Arts, which will be available online from 1 April 2016.
These articles in Research Professional (11 June 2015) feature some statements by me on New Generation Thinkers, and an interview on my experience of being selected for the scheme. You need to be a subscriber to Research Professional to gain access to these pieces.
I’m very excited to say that I’ve recorded my first ever radio broadcast, and you’ll be able to listen to this edition of BBC Radio 3’s Free Thinking on Thursday,...
While researching the introduction to my book on the widow in British literature and culture, I stumbled across a tune from the First World War which illustrates perfectly some of...
At a time when we remember the First World War, its victims, and its survivors, it seems apt for me to share some of the research I’ve been doing on the literary and cultural history of the widow in Britain, and particularly on how the state’s support and the economic conditions of widowed women has changed in the nineteenth and twentieth centuries and reflects both Britain’s development in terms of gender equality as well as the emergence of the welfare state.
Research Seminar, 5 March 2014, Department of English, Durham University
In the post-war decades, Britain prided itself on the new welfare state and the support it afforded children and mothers. But what about those women who had lost their husbands in the war? This post looks at the picture painted by two sources from the 1960s: a broadcast on child welfare by the Central Office of Information (1962) and a BBC Home Service radio broadcast called “World of the Widow” (1960).
This second post on widows in Victorian comic songs considers a piece which renders its widow financially, medically, socially, and sexually undesirable.
The first in a series of posts on deviant widows in popular comic songs from the 1840s, 50s and 60s.
Over the past decade, the detective widow has become a well-established character in the little-explored subgenre of neo–Victorian crime fiction. In Tasha Alexander’s Lady Emily series, the author argues, the detective widow investigates the gendered characteristics and complexities of Victorian widowhood while detecting the artistic crimes associated with historical fiction’s imitations and adaptations of the past.
04/07/2012, “North West Long Nineteenth-Century Seminar”, Manchester City Library
09/04/2010, “Fashioning the Neo-Victorian”, Erlangen-Nuremberg.