On 11 November 2016, Mary Moreland and I launched the Heritage Lottery Funded project War Widows’ Stories live on Woman’s Hour. We were given eight star-struck minutes with BBC Radio...
Tagged: cultural history
I’m Senior Lecturer in English Literature & Cultural History at Liverpool John Moores University, and I specialise in histories of women, gender, and feminism in Britain from the Victorian period to the present day, as well as in neo-victorianism, and contemporary women’s writing. I’m the author of The Widow: A Literary & Cultural History (LUP, 2017). I’m an AHRC/ BBC New Generation Thinker and have made broadcasts about my research on widows in Britain for BBC Radio’3 Free Thinking and The Essay. As part of the scheme, I recently made my first short documentary film – Women & Weeds – for BBC Arts, which will be available online from 1 April 2016.
At a time when we remember the First World War, its victims, and its survivors, it seems apt for me to share some of the research I’ve been doing on the literary and cultural history of the widow in Britain, and particularly on how the state’s support and the economic conditions of widowed women has changed in the nineteenth and twentieth centuries and reflects both Britain’s development in terms of gender equality as well as the emergence of the welfare state.
Women and Belief is a six-volume collection of primary materials covering a wide range of opinions about women, their self-identity, and the combination of their spiritual and political beliefs.
Over the past decade, the detective widow has become a well-established character in the little-explored subgenre of neo–Victorian crime fiction. In Tasha Alexander’s Lady Emily series, the author argues, the detective widow investigates the gendered characteristics and complexities of Victorian widowhood while detecting the artistic crimes associated with historical fiction’s imitations and adaptations of the past.